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Saturday, December 3, 2011

The Dirty Picture (2011) Movie Review

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 Intermittently, real life is much more interesting and compelling than fiction. And a biopic - which is vital to tell the story of a person or at least historically memorable year of his / her life - is the most demanding not only the narrator / s, but also with the support of stakeholders these films. Sometimes, a few anecdotes are incorporated into imaginary biopic, as the viewer looking for a fun and entertainment in a movie, and more lighting.

What was your own film The Dirty Picture That said, I would add that it is easier to take a recognizable manner, to opt for the tried, but it is extremely difficult to be different. Producer Ekta Kapoor Shobha Kapoor and are known to accepting challenges and support films like LOVE SEX AUR DHOKHA, Ragini MMS and Shor IN THE CITY and with the writer-director Milan Luthria Arorae Rajat had managed to recreate the era of flourish ONCE UPON A TIME IN MUMBAAI. Image Now all balls of fire DIRTY powerful to remove the eye of your mind.

 The general feeling is, the image is a dirty biopic on the life and times of Silk Smitha, an actress of the 80 listed. Personally, I think the dirty image is inspired by actors struggling in the 80 women who became insurmountable and indomitable spirit emerge triumphant and create a separate space for themselves in the industry dominated by men . It is a recreation of an era, with managers to find the motivation for many characters to create a single woman.
Let me clarify at the outset. Dirty Picture not only draws attention to the life of a sex goddess, but also makes us aware of the disaster behind the facade. Silk - the main character in Dirty Picture - provides excitement to millions of viewers, but a sad and heartbreaking death. She battles fame, fortune and alcohol. Brave, bold and provocative, not to dirty the image across the line of impropriety and offensive.

Provide a young artist who has become the most sought after female lead in the 80's. Traces the meteoric rise and sudden fall of a sense of display, the image is set against damage colorful and entertaining film industry of the South 80.
The siren of excellence, silk, he knew his audience and nothing seemed to stop the star intensely motivated, until he did, in the form of unrequited love. To the world, she was the queen of sensuality. However, in the background, the silk was just another female desire for true love. A meeting unhappy with cheating and infidelity had disastrous consequences!
First! Milan Luthria is courageous and intelligent. Courageous, because Milan is out of the comfort zone to tell the tragic story of an actress. Smart, since the image does not become dirty in a dry and depressing fare at any time. This underlines the - as it says Vidya - entertainment, leisure and entertainment. Well said and beautifully executed, the dirty image is sure to resonate with the public hungry. Good points, I want to Rajat Arorae strong dynamic script and dialogue. The compelling story and dialogue will live in our memories for a long, long time, causing a response similar to ONCE UPON A TIME IN MUMBAAI. The writing has an interest of the viewer and do not far from the screen except for a few minutes in the post-interval portions. The portions between Emraan and Vidya slows the story, however, I would like to add, including dramatically when Vidya ripped off by a porn producer. The sequences thereafter, right till the end, take the film with the crescendo again.


Dirty Picture is decorated with several powerful sequences. Note the scene where Vidya convince / seduce Naseeruddin Shah, after he refuses to work with. Is remarkable. In addition, the first meeting with Emraan Hashmi. Remarkable! Much later, the sequence of volatiles in the awards ceremony [the environment] is one of the strengths of the company. The second half has its share of moments great too. The mansion is Anju Mahendroo Vidya was great. Vidya interaction with two women [individual sequences, both] - with the first wife of Nasir and Shakila, dancer, opposite - a punch. Interaction with Vidya maker porn movies is another surprising turn. The end, of course, moving to infinity.
Vishal-Shekhar provide a good soundtrack. "Ooo La La" is probably the best song of the year [did brilliantly and Bappi Lahiri Shreya Ghoshal], while "Sufiyan Ishq 'has legs too long. Another notable song is "Ki Raat honeymoon." The choreography of these tracks [Prakash Raj Pony], in particular "Ooh La La" was taken 80 years. Cinematography Bobby Singh is superb.
Vidya sizzling show and dare bare act is sure to grab the audience by surprise. Casting is a novel, because there is nothing like what Vidya has done before and is completely different from his image. But we'll give because Vidya: It offers outstanding performance, exceeding the limits once again. It would be wrong to say that Vidya will walk away with the price of sterling Act in this film. In addition, the suit takes your character looks hot no vulgar or in bad taste. In fact, Milan and costume designer Niharika Khan Bhasin have ensured that the aesthetic character is represented sexy. Vidya had a lot of weight to get the look of the character right to the body flange and just adds a lot of authenticity to the character he plays on the big screen.
Naseeruddin Shah, who was chosen as the aging superstar of South India, sports wigs, dark glasses and a mustache painted, reminding people of the stars of the time. He plays to the gallery, prompting applause, laughter and whistles, eliminating the role with vigor. It should Emraan Hashmi Credit prepared to take bold and aggressive. In fact, I wondered what prompted the actor to share screen space with Vidya, who has a more substantial role and establishes the central character, but he walks his own path through the film. He plays the stubborn, hot-blooded rebel leader to the hilt. Tusshar is beautifully contained in a role. Their sequences with Naseer and Vidya, two are really fantastic.

 
Anju Mahendru is top notch, reminding people of a Journo real life, madame, that was very popular for his writings in the 80s. Rajesh Sharma, the director who "discovered" the Silk Road, is exceptional. An actor should not be overlooked! Shivani Tanskale, adopting the role of women, Naseeruddin Shah, is perfect. Mangal Kenkre [as Ratnamma] Hasnee and Imran are adequate.

In general, banks shock value largely dirty image, sex, courage and above all, writing the value. This is an exceptional portrait of an ordinary person rising from zero to extraordinary heights and falling. It is certainly one of the most comprehensive lines of the Hindi film industry in 2011. A film with a universal theme and a good ground connection, which has enormous potential to set cash registers ringing for one of the most valuable reasons - entertainment, leisure and entertainment.
Review by
Taran Adarsh

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